Old Time Radio Shows

  When we hear about a so-called overnight success, it is easy to assume that it happens to an act which came out of nowhere. On the evening of December 17, 1936, Edgar Bergen was a relative nobody, standing in the NBC Studios in New York City , waiting for his introduction to appear on Rudy Vallee 's The Royal Gelatin Hour . In just a few weeks, he will become one of the biggest things on radio, in fact in all of show business, but right now he is just another vaudevillian who is appearing on an otherwise routine episode of the popular variety show. On the lineup for that night's show includes Cornelia Otis Skinner giving a monolog about Christmas, Douglas Montgomery and Shirley Booth present a sketch entitled "Three Diamond Bid", and Rudy interviews successful party-planner Elsa Maxwell. Edgar and Charlie McCarthy are not the evening's only firsts, musician "Sleepy" Hall will introduce the world to the wonders of the electric banjo. It is som...

Radio Drama "died" on Sept 30, 1962, with the closing broadcasts of Suspense! and Yours Truly Johnny Dollar . When CBS canceled these two series, the Golden Age of Radio ended, a victim of the increasing influence of Television. To quote Fibber McGee and Molly 's Old Timer, “That ain't the way I heared it...” The rise of television expediated the demise radio drama as a commercial endeavor in the United States, but radio drama (or "Audio Theater") is simply too effective as a storytelling medium to die away altogether. There are still markets that regard  Radio Drama highly, even when it competes with Television. Radio Drama, Soap Operas, and Comedy Programing remain a staple of British radio. In parts of the world that were slower to get television, such as South Africa and the Australian Outback, Radio Drama held on as a readily accessible form of electronic entertainment, although often subsidized. In the US, radio drama held on in a few out...

  The radio waves of the Golden Age were filled with starlets who dreamed of making it big on the silver screen but turned to radio acting as a way to pay the bills until they got their big break. Paula Winslowe , one of the most successful, however, hardly fits the definition of starlet. A starlet is usually a young lady with dreams of making it big in the Hollywood Star system. The hard truth is that for every movie princess, there were hundreds, if not thousands of beautiful girls who wanted their shot. Paula would have been perfectly content to remain in the North Dakota prairie town where she was born, eventually raising a family and supporting the ambitions of her childhood sweetheart. Her sweetheart, John Sutherland, had ambitions far from the prairies, however. Entranced with the flickering images he saw in the local movie palace, John dreamed of one day sitting in the directors chair and creating pictures of his own. Soon after they were married, the couple m...

  The Clown is one of the most traditional and enduring elements of show business. There are several vital characteristics which add up to define just what a clown is. One of the most important is that under the makeup, the clown is very often laughing on the outside while crying on the inside. America's favorite clown, Red Skelton typifies laughing and crying at the same time. Few performers have given as much to bring happiness to their audience, especially while living through their own personal tragedies. Joe Skelton had performed as a clown with the Hagenbeck-Wallace Circus, but settled down to life as a grocer, and sired four sons with his wife Ida Mae. Joe was taken from his family two months before his youngest son, Richard Bernard Skelton, was born in 1913 (the same year, the Hagenbeck-Wallace Circus lost 8 elephants, 8 performing horses and 21 lions and tigers when the Wabash River flooded). Richard soon became Red Skelton . With no father, Red went to work early to hel...

Candy Matson  was no GIRL detective...she was all woman. Candy Matson was a response to all the hard-boiled detectives on the radio like  Jeff Regan ,  Rocky Fortune ,  Pat Novak , and all those  other detectives  who were beaten up on a regular basis. Candy, played by Natalie Parks, was  hard-boiled  in her own way. She never compromised her femininity but she did know how to use a gun and didn't hesitate to use when it was necessary. She didn't take any guff from the guys--the good guys or the bad guys. With a snappy comeback, she could take anybody's head off. Candy was fearless, never hesitating to go wherever she needed to solve a case from the lowest dive to the classiest night club. Candy worked hard to get her goon. Men orbited around her like she was the sun. Her best friend and partner in detection was Rembrandt Watson, a flamboyant photographer. All private detectives need a police detective foil and, in...

At first thought, it would seem like comic strips and radio should not work together, but they turned out to be a terrific fit. The younger set was the target audience for most of the comic strip shows. The serial nature of comic strip stories kept the kids coming back every afternoon to hear whether or not their heroes escaped trouble. While they were finding out the fate of Little Orphan Annie , Red Ryder , Dick Tracy , or Terry and the Pirates , they would happily sit through commercials for breakfast cereal, candy, even gasoline for Dad's car! When we got back from our break, we saw that the Cat had left us a message on the white board: "What about Mary Worth?" The younger staffers were curious about how the Cat could write on the board when he doesn't have thumbs, but the question itself was worth consideration. Of course, Mary Worth is not the only popular comic to be snubbed by Radio; we have often wondered why Batman never got his own radio series. Th...